Temporary Art Projects
Temporary public art enlivens TransLink’s network with new and fresh artworks that can be found throughout the transit system. Many of the temporary public art projects featured on our system are created by local artists whose work explores themes of culture and community within Metro Vancouver. This page currently features Carry It Well, our most recent temporary public art project.
Featured Project: Carry It Well
Carry It Well is a multi-site commissioned public art installation that brings together the work of four contemporary artists, Jan Wade, Natoya Ellis, Adeyemi Agdebasan, and Nya Lewis, to explore themes of stewardship, lineage, and tradition. Across a diversity of materials and subjects, “carrying” emerges as a conceptual and action-oriented framework to consider both the gift and the labour of bearing or transporting cultural, spiritual, intellectual, social, and political production, that grounds our sense of collectivism. What traces of Blackness, history-making, and knowledge preservation might we pass down or carry into our futures? On view at Main Street–Science World, Granville, Stadium–Chinatown, and VCC-Clark SkyTrain stations, Carry It Well centers and documents readings of representation and participation essential to an understanding of building and sustaining community. The four artworks peer into the traditions and ideologies of printmaking, quilting, Afro-futurism, and archival research to present a kaleidoscope of relationality, and a commitment to place-making and collective regard.
Carry It Well is curated by Nya Lewis.
TransLink acknowledges and thanks our community partner Hogan's Alley Society for their contributions.
Jan Wade - Breathe (2009-2020)
Previously presented at the Vancouver Art Gallery in the solo-exhibition Soul Power (July 2021 – March 2022) and reproduced for Carry It Well, Breathe is a large-scale embroidery work featuring over seventy hand-stitched panels. For Jan Wade, time and embodiment are necessary elements of creation. Created over an 11-year period between 2009-2020, the vibrant abstract work took on new meaning in 2014 following the killing of Eric Garner in a prohibited chokehold by a police officer in New York City. Breathe became a mantra, a spell, and a meditation to sustain the artist's life. "Every stitch is a new breath, an acknowledgment of the unacknowledged, an honoring of the work of women makers, and a daily reminder that the miracle of breathing should never be taken for granted" (Wade).
Jan Wade is a nationally renowned artist who works in mixed-media assemblage, painting, sculpture, and textiles. Wade draws inspiration from her personal history as a Black Canadian woman with a mixed cultural background.
View Breathe
Natoya Ellis - Woven Consciousness (2023)
Natoya Ellis has created a series of eight artworks that foreground the hybridity and connectivity of the Afro-diaspora living in the region. Foliage native to the Chinatown area is juxtaposed with a variety of fabric patterns in these cyanotype prints and digital illustrations. Woven Consciousness intricately blueprints the fabric of our lives, intimately mirroring diverse embodiments of Black presence, and communicating a visual language of familiarity and humanization. Bandana, Kente, Ankara, Lamba, Madras, and Netela prints move across the illustrations and silhouetted figures in a lively recognition of tradition, heritage, and modernity. Woven Consciousness invites viewers to explore the subtleties of identity, belonging, and the cultural richness that characterizes Vancouver's Black community. The series fosters a greater appreciation for the layered tapestry of Black culture within the diverse social fabric of the city.
Natoya Ellis is a multidisciplinary mixed media and installation artist. Her work examines the Black figure, Black womanhood, and the Black gaze.
View Woven ConsciousnessNatoya Ellis - Woven Consciousness (2023)
Natoya Ellis has created a series of eight artworks that foreground the hybridity and connectivity of the Afro-diaspora living in the region. Foliage native to the Chinatown area is juxtaposed with a variety of fabric patterns in these cyanotype prints and digital illustrations. Woven Consciousness intricately blueprints the fabric of our lives, intimately mirroring diverse embodiments of Black presence, and communicating a visual language of familiarity and humanization. Bandana, Kente, Ankara, Lamba, Madras, and Netela prints move across the illustrations and silhouetted figures in a lively recognition of tradition, heritage, and modernity. Woven Consciousness invites viewers to explore the subtleties of identity, belonging, and the cultural richness that characterizes Vancouver's Black community. The series fosters a greater appreciation for the layered tapestry of Black culture within the diverse social fabric of the city.
Natoya Ellis is a multidisciplinary mixed media and installation artist. Her work examines the Black figure, Black womanhood, and the Black gaze.
View Woven Consciousness
Adeyemi Adegbesan - Look for Us in the Whirlwind (2023)
Granville Station - Dunsmuir Entrance
Inspired by a quote from the great Pan-African and Jamaican national hero, Marcus Garvey, Look for Us in the Whirlwind is an Afro-futuristic dreamscape and an ode to three leaders of the Black Vancouver Labour movement, Rosemary Brown, Frank Collins, and Emmitt Andrew Holmes. Like Garvey, Brown, Collins, and Holmes embraced a life of activism, shouldering the responsibility of advocacy in the hopes that future generations would prosper. They devoted their lives to fighting for fair treatment and equitable conditions for working people, and equality for people of African descent. Adeyemi Adegbesan boldly adorns Brown, Collins, and Holmes in Black contemporary and continental cultural signifiers that reflect their life narratives and characterize their leadership in Vancouver’s Black community. Among the adornments are Adinkra symbols, a porter hat, cowrie shells, railway porter and woodworkers’ union pendants, north star, and provincial flowers, reimagining these historical figures within a visual language of Black power and love.
Adeyemi Adegbesan is a Toronto-based multidisciplinary artist whose practice examines the intersectionality of Black identity. Adegbesan pulls from various elements of Black cultural ideologies to create Afro-futuristic portraits embodying themes of history, fantasy, speculative futures, and spirituality.
View Look for Us in the Whirlwind
Nya Lewis - A History in Perpetual Motion (2023)
Main Street–Science World Station
In its second iteration (first presented at The Museum of Anthropology in 2021-2022 as Writing Black Vancouver), A History in Perpetual Motion forges a visual timeline of call and response for Black Vancouver presence. Lewis's text-based installation threads headlines from archival and contemporary newspapers Vancouver Herald, Georgia Straight, Vancouver Sun, The Tyee, North Shore News, and The Province. Transcribing over 100 clippings from 1940 to 2023, A History in Perpetual Motion is an embodied offering, readdressing the labour of placemaking, anti-colonial work, cultural production, and collective conceiving of Black communities in B.C. In bold, the phrases, ‘a call to action’, ‘a declaration of being’, and ‘a hope for what's to come’. "Writing Black Vancouver Futures" and "Honoring Black Vancouver Histories"
Nya Lewis is a writer, curator, and artist who sees her work within a lineage of Black thought that blaze(d) a trail of discourse concerning Black experiences, love, question, heritage, and embrace. She currently serves as the Director of Artspeak Gallery and as the Vancouver Art Gallery research fellow.
View A History in Perpetual MotionNya Lewis - A History in Perpetual Motion (2023)
Main Street–Science World Station
In its second iteration (first presented at The Museum of Anthropology in 2021-2022 as Writing Black Vancouver), A History in Perpetual Motion forges a visual timeline of call and response for Black Vancouver presence. Lewis's text-based installation threads headlines from archival and contemporary newspapers Vancouver Herald, Georgia Straight, Vancouver Sun, The Tyee, North Shore News, and The Province. Transcribing over 100 clippings from 1940 to 2023, A History in Perpetual Motion is an embodied offering, readdressing the labour of placemaking, anti-colonial work, cultural production, and collective conceiving of Black communities in B.C. In bold, the phrases, ‘a call to action’, ‘a declaration of being’, and ‘a hope for what's to come’. "Writing Black Vancouver Futures" and "Honoring Black Vancouver Histories"
Nya Lewis is a writer, curator, and artist who sees her work within a lineage of Black thought that blaze(d) a trail of discourse concerning Black experiences, love, question, heritage, and embrace. She currently serves as the Director of Artspeak Gallery and as the Vancouver Art Gallery research fellow.
View A History in Perpetual Motion